The vision of Brahmā is described: seated in padmāsana, four-faced (caturānana), immutable (avyaya), creator of all that moves and is stationary (carācara). The lotus posture signals meditative stillness even as Brahmā is the active creator. This paradox — stillness within activity — is the archetype of the yogic ideal the text will develop: one who acts in the world from a place of deep interiority.